The first series of Peaky Blinders was described as the ‘anti-Downton’, and no wonder, given its early 20th century gritty gangland setting, stylistic tone and slow-motion set pieces, which set it apart from more staid period dramas.
And then there was the stomping soundtrack, which included Nick Cave and Jack White.
“I have to admit, initially I was like, ‘You’re putting contemporary music with a period drama?!’ But it worked, because a lot of the artists had an outlaw quality to them, and that seemed to suit the essence of the show,” says Cillian Murphy, who plays Tommy Shelby, the ambitious head of Birmingham’s criminal gang, Peaky Blinders.
The Irish-born actor, who lives with his two sons and artist wife in London, believes the success of the show developed in the very best of ways, through word-of-mouth.
“It was only on for six weeks, but people were telling people to watch it. That’s what you want, rather than things being shoved down your throat.”
Wearing Tommy’s sharp suit, Murphy’s androgynous features and huge blue eyes make a mesmerising combination, not least when topped off with the Peaky Blinders’ distinctive haircut - shaved sides and longer on top. “I was alarmed by the haircut, I have to admit, but I’m contractually obliged to have it,” he confides, grinning.
Series one began shortly after the First World War and centred on the gang as they came into contact with Chief Inspector Chester Campbell (Sam Neill), who’d been tasked with cleaning up the city’s streets. He’s as morally corrupt, if not more so, than the gang, however, and at the end of the series, shot the woman Tommy had been growing close to.
“We met Tommy when he was emotionally quite distant, and a bit damaged and broken, understandably, after all his experiences in the First World War,” explains Murphy, 38. “With that relationship, he did defrost a little and genuinely fell for her, so that’s set him back emotionally.”
Murphy doesn’t mind admitting he finds the intense scenes with Neill a “great problem”.
“He’s a good friend and I love him dearly, but we have this hatred in those scenes, so you go from hanging out and laughing to deep vitriol.”
In series two, time’s rattled forward to the early Twenties, and an edgier “cocaine feel” has replaced the dreamy, opium-infused ambiance of the first run.
“Cocaine was widely available and popular among the upper classes, and obviously it was being distributed by the gangs, so I think that’s informed the tone of the series,” agrees Murphy. “Also, Tommy’s moved on from that crutch of opium, although I think he’s still boozing it up and has his issues.”
The actor believes the writing has “stepped up”. Partly because there is greater freedom when there doesn’t need to be as much exposition (“Hopefully people know the characters and have invested in them”) but also because creator and writer Steven Knight has written all six episodes, not just the first two, as he did last time.
“He’s written everything, because he gets so excited and fell so much in love with the show. He was like, ‘I’m not letting anyone else write it’, and he’s been on set all the time.”
As with any sequel, Knight, Murphy and the rest of the team wanted to be bolder, so this time the Peaky Blinders venture out of Birmingham and head to London.
“It’s about Tommy’s ambition, and the expansion of family and their collective ambitions, which ultimately means moving south and taking on two gangs down there, the Jews and Italians. That’s his path in the show,” he explains.
The new series also sees the arrival of new faces, including Hollywood star Tom Hardy and (his rumoured new wife) Charlotte Riley.
“It feels like you’ve done something right when you get great actors like that on board. I knew both from before; it felt like working with people you know and trust, so it was a lovely atmosphere,” Murphy adds.
He’d be loathed to give anything away about Hardy’s “creation”, but “suffice to say it’ll be memorable”, he teases.
Peaky Blinders, Thursday, 9pm, BBC2