Never underestimate the soothing power of a hug.
With one simple squish, you can provide comfort, encouragement or a simple how-do-you-do that transcends a thousand well-chosen words.
Big Hero 6 is the cinematic equivalent of a warm hug, embracing the old-fashioned family values of the Walt Disney brand alongside cutting-edge computer technology that audiences now expect to dazzle their senses.
Directors Don Hall and Chris Williams marry dizzying action sequences that look even more spectacular in 3D to an emotionally rich story of a lonely boy’s unshakeable bond with his self-inflating robot protector, recalling the magical 1999 animated feature The Iron Giant.
The inquisitive automaton Baymax is the stuff that sweet celluloid dreams are made of: tender, loving and unwittingly hilarious.
Every child will want their own marshmallow man to snuggle at night and keep them safe from the harsh realities of modern life that weigh heavily on the film’s grief-stricken adolescent hero.
“I see no evidence of physical injury,” informs the robot as he scans the boy’s body.
“It’s a different kind of hurt,” laments the teenager.
Fourteen-year-old Hiro Hamada (voiced by Ryan Potter) idolises his older brother Tadashi (Daniel Henney), who is a star pupil of Professor Robert Callaghan (James Cromwell), head of the robotics program at San Fransokyo University.
A fire on campus culminates in tragedy and shell-shocked Hiro is inconsolable until his brother’s greatest creation, a personal healthcare robot called Baymax (Scott Adsit), helps the teenager to confront his loss.
As the boy discovers Baymax’s functionality, he also stumbles upon a secret: the fire might not have been an accident.
Indeed, a greedy entrepreneur called Alistair Krei (Alan Tudyk) might have started the blaze.
Aided by Tadashi’s loyal friends GoGo (Jamie Chung), Wasabi (Damon Wayans Jr), Honey Lemon (Genesis Rodriguez) and Fred (TJ Miller) plus an upgraded Baymax, Hiro resolves to discover the truth about the deadly inferno.
Based on an obscure title from the Marvel Comics universe, Big Hero 6 is a rip-roaring opening salvo in a potential new franchise.
The directors orchestrate the requisite thrilling set pieces with brio, including an unconventional dash through the undulating streets of San Fransokyo that knowingly flouts traffic laws.
The animators and script never lose sight of the central relationship of Hiro and Baymax, sketching that bond in exquisitely deft strokes.
Big Hero 6 is preceded by Patrick Osborne’s Oscar nominated short Feast, which charts the relationship between a Boston terrier and his master from puppyhood to middle age in a series of vignettes.
It’s a pick of the animated litter that leaves an indelible mark on the heart.